1st Studio Siberian Mouse Masha And Veronika Babko Hard Avi Raffarad 2021 (2026 Update)

| Section | Timecode | Core Elements | Harmonic/ melodic notes | |---------|----------|---------------|--------------------------| | | 0:00‑0:15 | Field recording (Siberian wind), bit‑crushed sine sweep , Masha whispers “Снег падает…” (Snow falls…) | D minor drone, low‑pass filtered to ~200 Hz | | Verse 1 | 0:15‑0:45 | Masha vocal chant, hard‑bass sub‑pulse (150 Hz), granular synth of pine‑cone clicks | Dm → F → A (modal Phrygian) | | Pre‑Chorus | 0:45‑1:00 | Abrupt cut to 30 fps hard‑AVI glitch, percussive “machine‑clank” loops (samples from a Komsomol mining site) | B♭maj7 → Gm | | Chorus (Raffarad) | 1:00‑1:45 | Full‑force hard‑bass + distorted 808 kick , Masha rap verses (“Мы в сети, как в тайге…”, “We are in the net like the taiga”), Babko introduces hyper‑compressed vocal chops | D minor harmonic minor with chromatic passing tones | | Bridge | 1:45‑2:15 | Ambient sound‑scape (reversed owl hoot), glitch‑stutter of Masha’s “Туман” (Fog) line, Babko solo on modular synth (E‑type resonator) | Lydian‑augmented (E‑F♯‑G♯‑A♯‑B) | | Final Chorus | 2:15‑2:55 | Layered double‑time drum‑machine (BPM 170), Masha vocal harmonies (octave up), hard‑AVI “pixel‑burst” visual effect synced to each snare hit | Return to D minor, ending on a perfect V–i cadence | | Outro/Glitch‑out | 2:55‑3:31 | Audio fades to white‑noise that gradually resolves into a Siberian bear roar sample; video freezes on a single corrupted frame (ASCII‑style text: “RFFRDR”) | N/A (audio ends on a 2 second sine fade) |

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| Element | Gear / Plugin | Settings (approx.) | |---------|---------------|--------------------| | | Sonic Academy Kick 2 (hard‑style preset) + Saturation (FabFilter Saturn) | Decay 420 ms, Pitch envelope –30 cents, Distortion: “Analog” drive 0.45 | | Bass | Eurorack patch (Doepfer A‑101‑2 + Mutable Instruments Plaits) | FM ratio 2:1, Waveform “Digital” + “Saw” mix 70/30, Filter cutoff 350 Hz | | Glitch Arp | Serum (custom wavetable) + Glitch 2 (stutter) | Rate sync 1/8, Randomize pitch ±12 semitones | | Piano | Keyscape (Steinway Grand) | Reverb: Plate, decay 2.8 s, low‑pass at 5 kHz | | Field Recordings | FieldRec (recorded in Yakutsk) | High‑pass 80 Hz, Reverb: Convolution with “Cathedral” IR |

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