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The photography in the Italian edition often mirrored the cinematic aesthetics of contemporary European filmmakers (such as Bernardo Bertolucci or Federico Fellini). The visuals leaned heavily into high-fashion aesthetics, utilizing natural light, grainier film textures, and dramatic framing that differed significantly from the airbrushed, bright lighting styles popularized by the American edition in California. The "Classe del 1965" and the Shift in Media Consumption
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Photo-essay: A Day in Their Shoes (4 pages)
Today, the October 1976 Italian edition of Playboy is a sought-after item for collectors of vintage media, historians of graphic design, and sociologists studying the print culture of the late 20th century. If you are searching online for , beware of reprints
Consistent with Hefner's philosophy that men bought the magazine "for the articles," Playboy Italia featured translations of groundbreaking American pieces alongside original content from prominent Italian intellectuals, journalists, and satirists. In 1976, the publication regularly covered topics ranging from domestic cinema ( Commedia all'italiana ) to global political movements. 2. Visual Aesthetic and Artistic Nudity
The centerfold and supporting pictorials featured models who were all, authentically, born in 1965. This was a rarity in an era when many magazines relied on studio models in their late 20s and 30s. The raw, natural look of the “Classe del 1965” models—less made-up, more girl-next-door—struck a powerful chord with Italian men who were tired of the heavily airbrushed, cinematic glamour of the early 70s. The "Classe del 1965" and the Shift in
By 1976, the Italian edition of Playboy (launched in 1972) had established itself as much more than a men's entertainment magazine. In a country undergoing intense political upheaval, social transformation, and the secularizing effects of the post-Vatican II era, Playboy Italia positioned itself as a progressive, sophisticated, and often intellectual publication.
The "Classe del 1965" series, which appeared in several issues of Playboy's Italian edition in 1976, provides a particularly interesting glimpse into the values and attitudes of young Italians. The series features interviews with a group of Italians born in 1965, who were then around 11 years old. The interviews offer a snapshot of the hopes, dreams, and aspirations of this generation, as well as their perceptions of Italian society and culture.
Highly recommended for collectors of vintage Playboy issues, Italian editions, and those interested in 1970s culture.
The images featured in the October 1976 issue were captured by French photographer Jacques Bourboulon, a figure prominent for shooting sun-drenched, seaside imagery. The pictorial featured a pre-adolescent Ionesco posing on an empty terrace by the sea. The aesthetic mirrored the baroque, surrealist style popularized by her mother, Irina Ionesco—a controversial photographer who faced intense legal and ethical scrutiny for orchestrating nude photographs of her daughter. Legal and Ethical Repercussions