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Âîò åùå íà âñÿêèé ñëó÷àé:[HIDE="5"]http://depositfiles.com/files/727hu0b72[/HIDE] Íèêîëàåâè÷, ïðîñòî ñêîïèðóé ôàéëû â äèðåêòîðèþ ïðîãðàììû è ìîæåø ïîëüçîâàòüñÿ. |
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Íó, ìóæèêè, ñïàñèáî îãðîìíîå. Ðåñïåêò âàì âñåì è óâàæóõà. Îäíàêî: âñå òàêè õîòåëîñü áû ðàçîáðàòüñÿ. ôàéë Cut2K153 ïðèñóòñòâîâàë. Çàïóñêàë åãî, ïðîïèñûâàë cutting2.reg.  èòîãå èìåë: îçíàêîìèòåëüíàÿ âåðñèÿ, çàïóñêîâ 15. Äåòàëè íå ðàñêðàèâàëèñü, à ïðîñòî ðàñïîëàãàëèñü â îêíå íåðàçìåùåííûõ äåòàëåé. Ðååñòð ÷èñòèë, cutting2.reg. óäàëÿë, íî âñå áåñòîëêó. |
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Íó, áîëåå - ìåíåå ïîíÿòíî, ÷òî äëÿ ìåíÿ ýòî âûñøàÿ ñôåðà.
Ãëàâíîå, ÷òî êàòèíã çàðàáîòàë. Ôàéëû ñêîïèðîâàë â ïàïêó, çàìåíèë è íà ýòîì ãîëîâíàÿ áîëü çàêîí÷èëàñü. Âñå ñòàðûå ñîõðàíåííûå ðàñêðîè - âñå îòêðûâàåòñÿ. Ìîÿ ïðèâÿçàííîñòü ê Êàòèíãó 2 åùå îáúÿñíÿåòñÿ òåì, ÷òî íà ôèðìå, ãäå êðîþñü, ïðèíèìàþò ðàñêðîé òîëüêî â êàòèíãå2. |
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klim008 ïðîáëåìà Âàøå â òîì,÷òî ó Âàñ åõå. ñ ðåã.ôàéëîì,î ÷åì íåîäíîêðàòíî ãîâîðèë Valerian, à íå çàìåíåííûé åõå, êîòîðûé íèêàê íå
ïðèâÿçàí ê ðååñòðó.Õîòÿ â íåì ÿ íå ðàáîòàë óæå áîëüøå 2-õ ëåò, ñåé÷àñ çàïóñòèë ðàáîòàåò áåç ïðîáëåì -ÎÑ ÕÐ3,õîòÿ ÎÑ íå ðàç ïåðåóñòàíàâëè- âàëàñü è áûë îí óñòàíîâëåí îäèí ðàç ÷èñòî ïîä ÕÐ.Çàïóñêàåòñÿ èç ëþáîãî ìåñòà. |
Cutting 2 -êàê ñäåëàòü ÷òîá öûôðû íà êàðòå ðàñêðîÿ áûëè ïîáîëüøå . íåõîòÿò ïèëüùèêè ïèëèòü öûôðû ìàëûå . Ìîæåò êòî òî ñ êîìþòåðùèêîâ çíàåò êàê èõ óâåëè÷èòü?
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Öèòàòà:
1. Ïîìåíÿòü ðàñêðîéùèêîâ. 2. Êóïèòü èì áèíîêëè. 3. Ïåðåéòè íà Cutting 3 1.45à, òàì öèôðû êðóïíåå. |
Ðàñêðîéùèêîâ íå âûéäåò ïîìåíÿòü , áèíîêëü íå çàõîòÿò íîñèòü , ïåðåéäó íà Cutting 3 1.45à .
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ß òîæå ñòîëêíóëñÿ ñ ýòîé ïðîáëåìîé. Ïîìåíÿëè íà÷àëüíèêà öåõà â ôèðìå è òåïåðü òðåáóþò íà êàæäîé äåòàëè êðóïíûå öèôðû-ðàçìåðû. Òîæå ïîäóìûâàþ î Êàòèíãå 3.
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Ìåíÿ çàñòàâèëè ïîäïèñàòü ðàçìåðû íà âñåõ ìàëåíüêèõ äåòàëÿõ. Ïîíÿòíî, ÷òî èì íóæíà ñêîðîñòü èëè ó êîãî-òî îíè ðàçìåð ïðîçåâàëè. Íà ññûëêó â êàðòå ñìîòðåòü íå õîòÿò.
Ïðîáîâàë ïå÷àòü óñòàíàâëèâàòü "îäíà êàðòà íà ëèñòå". Âñå ðàâíî ìåëåíüêèå äåòàëè ïå÷àòàåò òîëüêî ñ ñûëêîé(íîìåðîì). Ìîæåò ÷òî-òî ìîæíî â ôàéëîâîì áëîêíîòå èçìåíèòü? |
Åñëè ÷åñòíî òî ïûëüùèêó íåêîãäà íà ññûëêó â êàðòå ñìîòðåòü , åìó äàâàé êàðòó ñ íîðìàëüíûì øðèôòîì èíà÷å èäè ãóëÿé íà äðóãóþ ôèðìó.
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Öèòàòà:
×òî çà ìàíñû? |
Íèêîëàåâè÷.Ïåðåõîäè íà 1.45à, òàì äîâîëüíî êðóïíûé øðèôò, íó åñëè è ýòî è íå ïîäîéäåò ðàñêðîéùèêàì, ëó÷øå èì óêàçàòü ïóòü îòêóäà íåò âîçâðàòà.
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Îíè ñêîðåå çàêàç÷èêó óêàæóò (ïóòü) .
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[QUOTE=alexvit;117286]Ïåðåõîäè íà 1.45à,
À çäåñü åñòü? |
Íèêîëàåâè÷.Çäåñü íåò.Íóæíî, ñáðîñü àäðåñ â ëè÷êó,âûøëþ.
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Åñëè ñîáðàëñÿ ïîäåëèòüñÿ-òàê äåëèñü....ìîæåò êîìó åùå ïîíàäîáèòñÿ. |
Öèòàòà:
Íèêîëàåâè÷,ïðèíèìàé.Íà âñÿêèé ñëó÷àé ïðîäóáëèðîâàë,ïðè ïåðâîé ïîïûòêå áûë ñáîé â ñåòè. |
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Êîä HTML:
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Ó êîãî-íèáóäü îïûò áûë ïîñòàâèòü cutting 2 íà win7?
Åñëè áûë, ïîäåëèòåñü ïîæàëóéñòà, à òî ãîâîðÿò ïîñòàâèòü íåðåàëüíî, âåðíåå ñòàâèòüñÿ, íî ãëþ÷èò áåçáîæíî... Çàðàíåå áëàãîäàðåí |
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Ýòîò ðàñêðîé íå ñòàâèòñÿ íà win 7
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Ïîäñêàæèòå êàê â Cutting3 v46 øèðèíó ïèëà âûñòàâèòü?
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Www Mallu Reshma Xxx Hot — Com ExclusiveMalayalam cinema is historically distinguished by its departure from the "masala" formulas of other Indian industries, favoring : The portrayal of Kerala's natural beauty, including its backwaters, beaches, and hill stations, has also been a significant aspect of Malayalam cinema. Films like (2014) and Sudani from Nigeria (2018) have showcased the state's stunning landscapes and tourism industry. Kerala's physical geography—lush green landscapes, sprawling backwaters, coconut groves, and monsoon rains—acts as an active character in Malayalam cinema rather than a passive backdrop. Malayalam Cinema and Kerala Culture: A Mirror to the Malayali Soul www mallu reshma xxx hot com exclusive The relationship between Malayalam cinema (Mollywood) and the culture of Kerala is not merely one of reflection, but of deep-rooted symbiosis. Unlike many other regional film industries in India that often lean toward escapist fantasy, Malayalam cinema has historically carved a niche for itself by being an unapologetic mirror to the socio-political and cultural nuances of "God’s Own Country." The Literary Foundation Traditional art forms and festivals are woven into film narratives. The vibrant colors of Thrissur Pooram , the rhythmic beats of Chenda Melam , and the ritualistic performances of Theyyam and Kathakali frequently drive plots. For example, Kaliyattam adapted Shakespeare's Othello against the backdrop of the sacred Theyyam ritual of North Malabar, highlighting how ancient art forms remain relevant to contemporary human emotions. The first Malayalam film, , was released in 1938, marking the beginning of a new era in Indian cinema. The film, directed by S. Nottanandan, was a mythological drama that showcased the rich cultural heritage of Kerala. In the early years, Malayalam cinema was heavily influenced by the state's folk traditions, mythology, and literature. Films like Nirmala (1938) and Gopalan (1942) were some of the notable releases of this period. Malayalam Cinema and Kerala Culture: A Mirror to Kerala is globally recognized for its high literacy rates, progressive social reforms, and politically active populace. Malayalam cinema directly mirrors this heightened socio-political consciousness. Malayalam cinema is a reflection of Kerala's rich cultural heritage and social fabric. With its realistic storytelling, socially conscious themes, and cultural relevance, Malayalam cinema has made a significant impact on Indian cinema. Its influence can be seen in the works of many filmmakers, and it continues to be a vital part of Kerala's cultural identity. This era reflected the shifts in Kerala's socio-economic landscape. With the rise of the "Gulf Boom"—where thousands of Malayalis migrated to the Middle East for work—the structure of the traditional Kerala family began to change. Films like Varavelpu and Nadodikkattu humorously yet poignantly addressed unemployment, the struggles of the expatriate, and the collapse of the agrarian economy. let me know: : Modern Malayalam cinema is celebrated for its "woke" and self-critical nature, frequently addressing themes of gender equality, caste discrimination, and mental health in films like Kumbalangi Nights and Uyare . Distinctive Style New-generation Malayalam Cinema A Social History of Malayalam cinema from its origins to 1990. : Contemporary films explore the lives of second-generation immigrants and the complex identity crises faced by the global Malayali diaspora across the world. 5. Political Consciousness and Class Struggle If you are developing this into a specific project, let me know: |
Íàðîä ïîäåëèòåñü ïðîãðàììîé Cutting 1.31 èëè Cutting 2 î÷åíü íàäî ñ êëþ÷èêîì æåëàòåëüíî. Cutting3 ñåé÷àñ þçàþ. Íî ñóäÿ ïî îòçûâàì íà ôîðóìå ïèøóò ÷òî Cutting 1.31 èëè Cutting2 ëó÷øå å¸. Íå êèíüòå áåäîëàãó â áåäå)))
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â Cutting2.1.53 êîãäà ñòîÿò óæå âñå ðàçìåðû. è êîëè÷åñòâî ëèñòîâ, ïîñëå ðàñ÷¸òà, óâåëè÷èâàþ êîëè÷åñòâî äåòàëåé è ëèñòîâ, äåëàþ ðàñ÷òå, à ëèñòû íå äîáàâëÿþòñÿ, òîëüêî äåòàëè "íå âîøåäøèå " â ÷¸ì ïðîáëåìà?
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Ïîäåëèòåñü òàáëèöåé èç excel â cutting 3
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Ðàáîòàþ â Cutting2 v.1.4. Ïîïðîáîâàë òðåòèé, íå ïîíðàâèëñÿ! Ïî-ìîåìó - Cutting2 v.1.4, 1.53 - íà ñåãîäíÿøíèé äåíü, äëÿ ðàáîòû, îïòèìàëüíûé âàðèàíò. Íó, ýòî, ìî¸ ëè÷íîå ìíåíèå.
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Öèòàòà:
Åñòü ìèíóñ: ïðè âñòàâêå ñòðîê íóæíî ñêîïèðîâàòü ïåðâóþ ÿ÷åéêó ê ïîñëåäíåé, à òî ãëþê... Cutting 2.1.53, 3.1.31, 3.1.47 |
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| Òåêóùåå âðåìÿ: 00:54. ×àñîâîé ïîÿñ GMT +3. |
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